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Updating list Reviewed September 24, what an experience!!!!
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September Don't expect a lot from the "hotel" experience and know the "activity" experience is the motive to travel, so wear your horns! August Reviewed June 16, if you haven't been, you're not missing anything. It depicts different sexual subcultures, including clandestine meetings between Vatican officials and young heterosexual Muslim men in Rome who work as prostitutes. According to the book, he prowled the ranks of seminarians and young priests for men to seduce and routinely hired male prostitutes, sometimes beating them up after sex. Part of my concern about the book is the timing of its release, which coincides precisely with an unprecedented meeting at the Vatican about sexual abuse in the church.
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For the first time, the pope has summoned the presidents of every Catholic bishops conference around the world to discuss this topic alone. James Martin, a best-selling Jesuit author, in a recent tweet. As David Clohessy, a longtime advocate for survivors of sexual abuse by priests , said to me on the phone a few days ago: What they may take away is this: Catholic priests are twisted characters. And gay men are creatures of stealth and agents of deception who band together in eccentric societies with odd rituals. I asked Martel what his aim was.
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- 'Dear Ex': A Man Dies, Leaving Behind A Wife, A Son And A Secret Gay Lover.
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My concern is not that the church will be better or worse. I asked him if he worried about homophobes weaponizing the book. As in last year's lovely Israeli drama The Cakemaker , the film links these figures via a closeted, recently deceased family man: The film opens with year-old Chengxi Joseph Huang claiming he always knew his dad was gay. It has been three months since his professor father's death from cancer, and Chengxi learns he's been written out of his insurance policy.
His prone-to-hysterics mother Sanlian Ying-Xuan Hsieh knows the truth: So Sanlian drags Chengxi along to the mystery man's ramshackle apartment, hoping to spur a confrontation that will somehow put the lid back on the wreckage of their lives. The first third of Dear Ex is told from Chengxi's perspective, and it's the strongest chunk of the film by far: The kid is utterly fascinated by his father's lover Jay, a thirtysomething community theater director who can be furious one minute and tender the next.
He's played by a terrific Roy Chiu, whose raw, prickly performance has no trace of the mincing-younger-gay-lover onscreen stereotype. To escape his mother's needling, Chengxi moves himself into Jay's life without asking permission, and the two develop a wary bond as they putter through the city on Jay's moped, trying to figure out what they mean to each other. Writer-director Mag Hsu and her co-director Chih-Yen Hsu stage these scenes in bright, brilliant hues, with long shots of the characters maneuvering around each other in hallways that bring to mind some of the early work of pioneering Taiwanese auteur Tsai Ming-Liang.
As the film broadens in scope, incorporating flashbacks and new dynamics like Jay's traditionalist mother, it also shifts perspective: