A worthy winner of Best Foreign Language Film at the Oscars, it also features one of the greatest dream-logic dance sequences you'll ever clap eyes on. The story, on the surface, doesn't hold any obvious LGBT significance: Cultural theorists have spent many hours debating the answer to that question, with some suggesting that it's simply a matter of camp and others digging deeper and equating the black-and-white conservatism of the film's Kansas scenes to repression and even homophobia, and the colour and energy of Oz to being out and proud.
Whatever the reason, somehow it just makes sense. Buy, rent or watch 'The Wizard of Oz'. Shot in , Bill Sherwood's feature — the only film he completed before his death from an Aids-related illness aged just 37 — was one of the first films to deal directly with the disease. Set over just 24 hours, it's pegged to the relationship between Robert John Bolger and Michael Richard Ganoung , though the latter's ailing ex Nick an early lead role for Steve Buscemi is also central. Buy, watch or rent 'Parting Glances'. Harry Dodge and Silas Howard's debut feature caused quite a splash at the Sundance Film Festival, offering a window into kinds of experience that arguably remain marginalised even within queer life.
Howard plays trans man Shy while Dodge is butch dyke Valentine.
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The result is a heady and distinctive mix of working-class truthfulness and magic realism, created with the help of early digital video technology. For many without experience of the crisis, it opened a window onto the realities of Aids-related illness. The group publicly protested against the French government and the pharmaceutical companies for their slow responses to the pandemic. Throughout the s, James Bidgood shot a series of no-budget luxurious fantasias on 8mm film in his New York apartment, featuring hot young thing Bobby Kendall in such guises as a sexy matador, a sexy belly dancer and a sexy slave boy.
Their ability to quicken the pulse while retaining a kind of kitsch innocence made them an influence on French artists Pierre et Gilles, among others. Buy, rent or watch 'Pink Narcissus'. The burgeoning — and conflicted — relationship between Chiron and Kevin is the sort of romance that, while filled with strife, is also overrun with possibility.
In the pursuit of pleasure, decadence piles upon decadence — never has the term Felliniesque been so appropriate.
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Derek Jarman's typically eccentric spin on Christopher Marlowe's play about the doomed fourteenth-century king played by Steven Waddington catapults the present into the past — not least by having protesters from the pressure group Outrage playing characters in the drama. In exploring Edward II's sexual relationship with the unpopular Piers Gaveston Andrew Tiernan — a rare example of a gay romance in the literature of the time — Jarman lashes out at establishment forces then and now. Jarman's interest is more modern than historical, but he forcefully and playfully makes his point about homophobia through the ages.
A lot of LGBT films ask mainstream audiences for sympathy, understanding, even pity. That ain't John Waters's style. In his delirious realm of bad taste, it's the straights who deserve pity for their intolerably timid stifling conformity while the freaks live it up on their own grotesque terms. Cue sex, drugs, murder, cannibalism, fame and — how could we forget — the shit-eating grin to end them all.
As the title suggests, this isn't a single film but a trio of interlinked shorts, three portraits of the artist as a young, middle-aged and old man. The result is self-reflective, for sure, but far from self-indulgent.
The 30 Best LGBTQ+ Films of All Time | BFI
Davies is offering audiences a glimpse into his life in the hope that it'll offer some note of comfort, companionship or clarity as they wrestle their own demons. Buy, rent or watch 'The Terence Davies Trilogy'. The master becomes a slave and when Karin breaks it off, Petra sinks into self-pity. Watch it for the knockout all-woman cast and the barbed-wire dialogue: While both films feature the farming of sheep and two men who, while camping in the hinterland, share an intense sexual and romantic bond, the similarities end there.
Their unlikely love affair will melt even the most jaded of hearts. Buy, rent or watch 'God's Own Country'. Italian filmmaker Luchino Visconti adapted Thomas Mann's novella in , keeping the pre-World War I Venice Lido setting but centring on a composer rather than a writer.
He is troubled, unwell Gustav Dirk Bogarde , an ageing man increasingly obsessed with a young blonde male hotel guest. Mann's more philosophical enquiries are watered down to offer a good-looking and atmospheric study in one man's late-life longing for unreachable beauty and youth. There's something undeniably shallow about Visconti's film although the Mahler on the soundtrack eases the feeling of repetition , but there's no mistaking the sadness and lost opportunities at its core. Buy, rent or watch 'Death in Venice'. Here was a film centred on a lesbian relationship but directed by two male movie nerds, a product of the post-Tarantino irony boom in which a gay relationship was used as a shock tactic to make an otherwise traditional crime flick stand out from the crowd.
Turns out he isn't the only one with a few things to learn. Buy, rent or watch 'Transamerica'. Kenneth Anger's half-hour joyride can lay claim to a whole bunch of firsts: This Merchant-Ivory film is based on an EM Forster novel published in , a year after the author's death, but written over five decades earlier and assumed unpublishable by the writer. Forster wrote the first version of 'Maurice' in , roughly the time events are set, and it tells of a love affair between two Cambridge students, Maurice James Wilby and Clive Hugh Grant , which becomes more complicated once each of them leaves university.
While Clive marries and seeks political office, an increasingly troubled Maurice refuses to discard his feelings, leading to a dangerous considering the legal and social binds of the time affair with a gamekeeper Rupert Graves.
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The story is heartbreaking but also radical for offering an ending which suggests happiness — however isolated — in a same-sex relationship that crosses the class divide. Buy, rent or watch 'Maurice'. In , when the miners went on strike people got together all around the UK to raise money for the miners and their families. Calling themselves LGSM Lesbians and Gays Support the Miners , they set off from London in two minibuses and a clapped-out campervan to a village in South Wales carrying buckets of loose change raised in gay clubs. Buy, rent or watch 'Pride'.
Set around a birthday party, it's one of the first features dealing with gay life on its own terms, including copious boozing, relationship strains and lacerating self-recombination. It's noteworthy for some electrifying performances, transplanted from the stage — playwright Mart Crowley adapted his own hit play — and location footage shot at Julius, now the oldest surviving gay bar in Manhattan.
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Rarely has Hollywood given us such complex and compelling female characters. Nicole Kidman is Virginia Woolf, working on Mrs Dalloway in the early s and feeling herself slip into a breakdown. Julianne Moore is a depressed housewife in s California, slowly suffocated by frustrated desires — recklessly, she kisses the woman who lives next door. In the here and now, Meryl Streep is a New York editor who lives with a woman but is caring for her ex-lover, a poet dying of Aids.
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Buy, rent or watch 'The Hours'. The enfant terrible of radical German cinema stars in his own feature as a working-class gay boy who wants love, craves acceptance and happens to have won the lottery — the cue for his merciless exploitation by more savvy acquaintances. As well as being a trenchant case for class consciousness, it's a bruising reminder that people can share your sexuality without giving a shit about your welfare.
Buy, rent or watch 'Fox and His Friends'. Barely half an hour long, it unfolds without words in two of Genet's regular registers, incarcerated and bucolic, as it explores the love of two separated inmates and the jealousy of their guard. It features set-piece sequences of erotic dancing and masturbation, but neither is as hot as one captive blowing smoke through the wall into the other's cell. The US Supreme Court declared it obscene.
On director Andrew Haigh's' breakthrough film he paints an intimiate portrait of what it's like to be gay in modern Britain. The film is perfectly observed, from the nuances of cruising the dancefloor at the end of the night to the painstaking deliberations over how to punctuate a post-hookup text. Across a hour timeframe, and aided by performances by Cullen and New, these build up to create an unnerving but wholly effective naturalistic cinematic experience.
Buy, rent or watch 'Weekend'. Where transvestism had previously been played for absurdity in the cinema, this filthy-gorgeous comedy instead played up its lavish beauty. The sight of a drag queen atop a pink commuter bus, miles of glittering tinfoil fabric billowing into the desert behind her, was enough to make even the most obstinately tweedy dresser jealous of her boogie. Fuelled by his jet-propelled performance and sensational songs co-written with Stephen Trask, it's a bittersweet ode to the survival of the freakiest. Born in East Germany but marooned in the American heartland, Hedwig has been doubly shortchanged — first by a botched sex change, then by her ex achieving stardom with music they made together.
Hilarious, poignant and often quite spiky, the film, like its subject, is a one-off. Buy, rent or watch 'Hedwig and the Angry Inch'. Sexuality is only one element in a storm of conflicting values and behaviours in Hanif Kureishi's screenplay about Omar Gordon Warnecke , a young British-Pakistani man caught between the entrepreneurial, Thatcherite dreams of his uncle Saeed Jaffrey and the more romantic, intellectual ambitions of his alcoholic father Roshan Seth. Omar's unlikely attraction to Johnny Daniel Day-Lewis , an old friend turned neo-fascist hooligan, results in a sex scene in the back of Omar's refurbished laundrette that makes literal the idea of everything coming out in the wash.
Buy, rent or watch 'My Beautiful Laundrette'. Sally Potter's adaptation of Virginia Woolf's novel is remarkable for its casting alone. Tilda Swinton as an immortal, gender-swapping aristo who looks equally good in doublet and hose or on a motorbike? Yes please. Octogenarian Quentin Crisp as Elizabeth I? Billy Zane as our hero's bit on the side?
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Plus some special musical contributions from Jimmy Somerville. Buy, rent or watch 'Orlando'. This is the film of British writer Jonathan Harvey's play, a tender story of emerging sexuality and friendships between outsiders on a south London council estate. Sweetly it shows the tentative coming together of two white, working-class schoolboys, Jamie Glen Berry and Ste Scott Neal , whose wide-eyed romance, when it happens, turns out to be less complicated than the lives of some of the characters around them.
Those characters include their eccentric teenage neighbour Leah Tameka Empson , who is obsessed with Mama Cass and plays her records loudly in the middle of the night. A soft-hearted urban fantasy. Director Luca Guadagnino captures the confusion, simmering lust and crackling tension between precocious and thoughtful year-old Elio Chalamet and the allure of the older, magnetic and dashingly handsome Oliver Hammer.
Little Ludovic's parents think their young child is a boy with a worrying thing for Barbie-style dolls.