We might assume that in their digital multiplicity and sexual openness, such images constitute a freedom of sexual representation, but what has become increasingly clear is that, en masse, gay men are producing their own standards of participation that exclude differences from within their own community, and that it is through user participation that such standards occur.
This is unlike the standards handed down to the public by mainstream culture and is fertile ground for satirical artists. Content uploaded by Tom Penney. Author content All content in this area was uploaded by Tom Penney on Feb 12, The following article is a draft.
Bodies under Glass: Gay Dating APPS and the Affect-Image
Gay online dating, grindr, se xuality, affection, masculinity. The exchange of digital images depicting p artial bodies is an iconi c part of the G rindr. This is further considered through the struc ture of facial ity as an. The satire of how affection images and faciality encourage norms to be. Please note that some of the works at this address are malfunctioning due to recent changes in.
For gay men using online dating apps li ke Grindr or Hor net static faces catching our eyes. Infamous too are the.
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Fingers press,. Brains engage, get turned on, and off,. We might assume. This is unlike the standards. In my studies and practice I consider how fascisms are arrived at through the deceptively. Faces within borders are displayed to users as if they w ere objects of choice through a personal. The re is always another opt ion , we might think to ours elves. There is a sense of entitlement and command over these images. Here we find through the interface that multiplicity exists i n terms of the singular: With subconscious awareness that others wi ll judge us in the.
When enough people together make demands p ublicly for. The promise of Grindr is that some sort of affection, sexual or otherwise, will be gleaned. From my perspective informed by reading Gilles. Affection-images are a language through which h umans read the interior state. I wrote about this in a past publication titled Bodies Under Glass , 2 where I made the. Torsos become. Given this language, why do Grindr users rout inely behave i n the fascistic ways I have. One effect of this affection-image saturation is that users have to adopt.
This extends to profile. If we are to read partial p hotographs of the body as faces, then. Here, this refers to users rapidly processing and judging the masses of Grindr images. They are then applying these. I a rrived at this concept aft er. Thi s.
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Faces are recognised in terms of their deviation from a standard arrangement of these darker. Machines learn to interpret faces by parsing as many images of faces as they can. A f ace-recognising machine can. Crucial to these.
As Ben Li ght has stated in. That gay people form caricatures of themselves as a white male culture through Grindr is. Gay filmmaker John Waters has said. To break out of the.
Faceism and Fascism in Gay Online Dating
Here, a caricature could be seen as a sa tirical version of a. The fun of this is using my own digital methods of capturing images to. I employ d igital. The result. In this scenario, the fascistic model i s replaced with a base one, turning an idealistic. This turns the algorithmic and essentializing logic of digital fascism back on itself,.
Here, this refers to users rapidly processing and judging the masses of Grindr images they view, aided by, but not entirely because of, machines. They are then applying these averaged images to their own standards of self-representation. This grid is structured by a varying topology of the physical features of our faces our nose, mouth, cheeks, eyes that together form the dark and light contrasts that we can recognise as a face. Faces are recognised in terms of their deviation from a standard arrangement of these darker areas of contrast eyes, mouth, nostrils upon a lighter surface cheeks, chin, forehead.
Oddly, although written in relation to human perception, we can easily today refer to machines that also recognise faces this way, through arrangements of contrasting pixels in a camera image, or facial recognition. Machines learn to interpret faces by parsing as many images of faces as they can. Crucial to these decisions are prejudices. As Ben Light has stated in an earlier study of gaydar. That gay people form caricatures of themselves as a white male culture through Grindr is entertaining to me as a satirical artist who plays with faces.
Gays Under Glass : Gay Dating Apps and the Affect-Image | Tom Penney - mailing.zunfeld.com
Here, a caricature could be seen as a satirical version of a fascistic essentialization. I employ digital processes such as 3D scanning of bodily forms, which produces imperfect deviations of facial imagery and bodies. The result is a subversive queering of these online dating spaces and my engagement with them. Self-imaging becomes parodied to the point where faces converge with phalluses, rectums and other body parts. In this scenario, the fascistic model is replaced with a base one, turning an idealistic averaging-out into a farcical expression.
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This turns the algorithmic and essentializing logic of digital fascism back on itself, and gives way to a heightened sense of these limitations of online gay social networks. Cinema 1: John Waters: His practice currently involves 3D imaging and games technology. His research project Critical Affection looks at identity play in contemporary digital cultures. This has involved studying how the male body is represented in homosexual mobile dating apps. Tom also currently works as an artist and project manager at Metaverse Makeovers, an augmented reality fashion company.
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